Jewelry Artisan (Jeweler-Goldsmith) interview questions and expert answers

Answer example: I start with an in-depth consultation to understand not just aesthetic preferences but the ring's meaning and how it will be worn daily. I create hand sketches and wax models for the client to hold and visualize. Once approved, I select the metal—often 950 platinum for its durability and hypoallergenic properties. I fabricate the mounting entirely by hand, considering the center stone's proportions and how prongs will secure it without obscuring brilliance. I work with a trusted stone setter for the main diamond and any accent stones. After setting, I hand-finish every surface, using progressively finer abrasives until achieving a flawless polish. The final piece undergoes quality inspection under 10x magnification. The entire process typically takes 4-6 weeks and includes multiple client touchpoints.

Answer example: I specialize in traditional goldsmithing techniques including forging, soldering, and casting. I am proficient in hand-fabrication methods, creating pieces entirely by hand without casting. I can perform complex soldering operations, create custom findings, and work with various metal alloys. I also have experience with modern techniques like laser welding for precision work.

Answer example: I work closely with stone setters but also perform basic setting myself. I understand different setting styles including prong, bezel, channel, and pavé settings. I ensure that settings are secure and properly proportioned. I consider both the stone's security and the overall aesthetic of the piece when planning settings.

Answer example: I begin by discussing the client's vision and requirements, then create detailed sketches and technical drawings. I select appropriate materials and plan the construction sequence. I fabricate the piece using traditional techniques, ensuring each step meets quality standards. I work closely with stone setters and polishers to complete the piece. Throughout the process, I maintain detailed documentation and conduct quality checks.

Answer example: I work extensively with gold in various purities and colors, platinum, palladium, and silver. I understand how each metal behaves during fabrication, soldering, and finishing. I know the appropriate techniques for each metal and can work with alloys to achieve specific properties. I also have experience with specialty metals and their unique characteristics.

Answer example: First, I examine the piece under magnification to assess the wear pattern. A stiff clasp typically indicates inadequate initial finishing or debris in the mechanism. I would disassemble, clean and re-finish the clasp components, ensuring smooth operation with proper spring tension. The scratches tell me about wear patterns—if they're on the underside, that's normal daily wear; if they're on top surfaces, the polish may have been too thin or the client works with their hands significantly. I would restore the polish and discuss realistic wear expectations and care practices. If I see premature wear, I would examine my original construction—perhaps the metal gauge was too light or the alloy composition wasn't ideal. I document these findings to improve future pieces and offer the client a complimentary maintenance schedule.

Answer example: I perform hand engraving using traditional tools and techniques. I can create various decorative patterns, monograms, and artistic designs. I also work with other decorative techniques like chasing, repoussé, and filigree. I understand how to enhance jewelry pieces with appropriate decorative elements while maintaining the overall design balance.

Answer example: This requires a conservation mindset rather than simply "fixing" the piece. First, I would research Edwardian brooch construction to understand period-appropriate techniques and materials. I would document the piece thoroughly with photographs and measurements. For the broken pin mechanism, I would determine if it's the original—Edwardian pins often used 14k or 18k gold mechanisms even on platinum pieces. If original, I would attempt repair rather than replacement, perhaps re-soldering or fabricating a replacement catch that matches the original design. If I must create new components, I would mark them discreetly (inside surfaces) to distinguish them from original parts for future collectors or conservators. The missing diamond presents an ethical challenge. I would source a period-cut diamond that matches the remaining stones—not a modern brilliant cut which would be historically incorrect and obvious to collectors. Old European cut diamonds from that era have different proportions. I would never "improve" the piece by upgrading stones or changing the design. My work should be invisible: preserving rather than transforming. I would provide the client with detailed documentation of all work performed and materials used.

Answer example: Essential tools include various hammers and stakes for shaping, precision files and saws for cutting, soldering equipment with different torch types, measuring tools for accuracy, and specialized pliers and tweezers for detailed work. I also use magnification equipment for precision work. I maintain all tools meticulously and understand how to use each tool effectively for specific tasks.

Answer example: I study current jewelry trends and attend industry exhibitions and workshops. I learn from master craftsmen and experiment with new techniques while respecting traditional methods. I follow jewelry publications and study historical pieces to understand classic techniques. I also network with other artisans to exchange knowledge and stay informed about industry developments.